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福克纳关于《喧哗与骚动》的文本主要有序言手稿、《附录》、相关书信、采访录以及大学班级座谈会纪要。这些文本实质上是福克纳对《喧哗与骚动》的重读和改写,但它们在原作批评史上拥有几乎权威性的地位,限制了人们对作品的解读。本文拟借助巴赫金的“复调小说”、“小说话语”等理论,表明福克纳如何在作品之外影响读者对作品的理解和阐释,同时探究他这样做的动因。
Faulkner’s texts on “The Sound and the Fury” are mainly the preface manuscript, the appendix, correspondence, interviews and the summary of the class class for the university. These texts are essentially Faulkner’s rereading and rewriting of “The Sound and the Fury”, but they hold an almost authoritative position in the history of the original criticism and restrict people’s interpretation of the work. This article attempts to use Bakhtin ’s “polyphonic novel ”, “novel discourse ” and other theories to show how Faulkner influenced the reader’ s understanding and interpretation of the work beyond the work and at the same time explored his motivation for doing so.