俗话云:“画虎画皮难画骨,知人知面不知心。”所谓“骨”、“心”,就是指灵魂、心理。戏剧创作,恰恰应当将主攻方向定位在对人物的剖心析魂、伐隐攻徽上,就是李渔所说的表现人物的“心曲隐微”,也是顾仲彜所讲的“心理分析人物”敲?如何攻伐?怎样剖析?笔者以为有以下三点,姑妄谈之—— As the saying goes: “painting the tiger painted skin difficult to draw bone, knowing people know the surface is not known.” The so-called “bone”, “heart” refers to the soul, psychology. Drama creation, precisely should be the main direction of orientation in the heart of the soul of the people, cutting implicit emblem, that is, Li Yu said the performance of the characters “Yinxueweiwei”, but also by Gu Zhongyi “psychological analysis of character” How to attack? How to analyze? I think the following three points,