越是好画,画面越是单纯。现代绘画更要求单纯。甚至单纯到只用一种语言说话。穆益林的《元宵印象》便是一例。他力图在作品中将一种单纯的语言做到极致。他主动而轻松地将所有被描绘的对象解构为符号,组织成一种语言——在《元宵印象》中,整个画面全是用不同形状的色块冲撞而成。“生活真实”已经和穆益林无关,作品标题也仅成了他借“题”发挥的题,唯一与人们对话的,便是他那独一而无二的语言。 The more good the picture, the more simple the picture. More modern painting requires simple. Even simple to speak in only one language. Mu Yilin’s “Lantern Impression” is an example. He sought to maximize a simple language in his work. He initiatively and easily deconstructs all the objects being depicted into symbols and organizes them into a single language - in the “Lantern Impression”, the entire picture is entirely collided with patches of different shapes. “Real life ” has nothing to do with Mu Yilin, the title of the work has only become his title borrowed “title ”, the only dialogue with people is his unique and unique language.