萧红作为一个被压迫民族的女性作家:其写作具有“双重革命性”:一方面是对于民族压迫、阶级压迫的反抗,另一方面是对于女性命运的反抗。然而,在传记电影《萧红》和《黄金时代》中,传主萧红的女性意识是缺失的,作家身份是缺席的,影片的历史感是悬置的。这种“再塑造”的方式无法抵达传主,最终陷于“脱历史”的症候。 Xiao Hong As an Autobiographed Female Writer: His writing is “dual revolutionary”: on the one hand it is resistance to national oppression and class oppression; on the other hand, it is resistance to the fate of women. However, in the biographical films Xiao Hong and The Golden Age, the female consciousness of Xiao Xiao is missing, the writer’s identity is absent, and the historical sense of the film is suspended. Such a “remodeling” approach can not reach the Lord of the Prophets, and eventually gets stuck in the “off history” symptom.