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陈仲义先生最新的诗论专著《现代诗:语言张力论》①,从对具体文本的最小语词单位的意义探寻开始,综合检讨新批评与结构主义、语言学、符号学、新诗学的理论手法,细致分析现代诗语的张力属性、张力特征、语感冲动和语义偏离以及修辞张力的意义和挑战,在中国当代汉诗语言聚拢辐射、嵌合背离所牵引的张力中,有理有据地达至诗语流向和诗歌意蕴的最大敞开。像陈先生以往的著作一样,精瘦道劲的理论藤蔓上时时有诗意的蜷曲的蔷薇花坦白舒展(理论的文本中随处可见令人叫绝的诗句,即使你不是冲着“张力论”而来,也能够
Mr. Chen Zhongyi's latest poetics monograph, “Modern Poetry: Theory of Language Tension”, starts with the exploration of the meaning of the smallest unit of language in a specific text, and comprehensively reviews the theoretical approaches to new criticism and structuralism, linguistics, semiotics and new poetics , The significance and challenge of tension, tension, semantic deviation and rhetorical tension of modern poetry are analyzed in detail. In the tensions drawn by the convergence of radiation and chimerism in modern Chinese poetry, The flow of poem and poetic meaning of the greatest open. Like Mr. Chen's previous books, the theory of lean, fresh, and energetic vines stretches from the poetic, sometimes curly-up, rose flower (the poetic verses can be seen everywhere in the text of the theory, even if you are not directed at “tension theory” Come, can also