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信息时代,博物馆观众的地位发生了变化,从被动的参观者转变为积极的行为主体,由个人实体概念转变为承载一定社会关系的实践主体。借用拉康精神分析中“主体与他者”理论有助于理解博物馆观众主体内涵的型构轨迹,从阿尔都塞的主体意识形态哲学视角出发,深度剖析观众与博物馆作为双重主体在社会公共文化意识形态建设中的镜像结构,以批判的态度对待主体自我认同产生的影响,不仅对继承和发扬我国传统和本土文化有益,对构筑社会主义核心价值观、维护社会主义中国的“文化安全”、规划博物馆对观众的服务与教育工作及充分发挥博物馆职能亦有一定的参考价值。
In the information age, the status of the museum audience has changed from passive visitors to active actors, changing from the concept of individual entities to the practice subjects carrying certain social relations. To borrow the theory of “subject and the other” in Lacan’s psychoanalysis is helpful to understand the conformation of the audience of the museum and to analyze Althusser’s philosophy of subject ideology from the perspective of the audience and the museum as a dual subject in society The mirror image structure in the construction of public cultural ideology treats the influence of the subject self-identity with a critical attitude not only for inheriting and developing our country’s tradition and local culture but also for building a socialist core value and safeguarding the socialist culture of China "Planning museums for the audience’s service and education and give full play to the museum function also has some reference value.