种种迹象表明,当下书法家主体心气的失落与书法心性的隔膜造成书法意蕴的丧失已是活生生的现实。显然,书法一方面要面对社会,一方面要面对自身。面对这样一种境遇,对书法尤其是对手札这一书法形制的认真思考显得尤为重要!一透过手札这一古人贯用与现代人淡忘的书写方式来比照当下的现实,更能说明问题。被称为“最富人情味儿”的书法艺术——手札正是如此。它盛行于魏晋南北朝,这一时期是书法艺术的集大成和文人书法的大发展时期,也是书体演变的归结时期,更是“情”的觉醒触发人的觉醒,人的精神家园不断丰实与完善的时期。由此中国书法走向了自觉,“因寄所托,取诸怀抱”的尚意重蕴成为主体特质,书法艺术在取得高度后进入寻常生活。魏晋以来的文人士大夫们自觉不自觉地寓性情、 There are indications that the current calligrapher main body of the loss of heart and calligraphy heart of the diaphragm caused the loss of calligraphy meaning is a living reality. Obviously, calligraphy on the one hand to face the community, on the one hand to face themselves. In the face of such a situation, it is very important to think carefully about the calligraphy, especially calligraphy, which is more important than the current reality, through the handwriting of the ancient people and the forgetting way of modern people . Called the “most humane child” calligraphy - this is the case of handwriting. It flourished in the Wei, Jin and Southern and Northern Dynasties, this period is a great development of calligraphy and calligraphers of the great development period, but also the evolution of calligraphy at the turn of the century, but also “love ” awakening triggered the awakening people’s spiritual homeland Rich and perfect period. As a result, the calligraphy in China has moved to consciousness, and "the heavy meaning of meaning still remains the main characteristic because of the entrustment, the art of calligraphy has entered an ordinary life after attaining a high standard. Since the Wei and Jin Dynasty, literati and physicians consciously or unconsciously,