《阿姐鼓》的成功及其所造成的全球性冲击唤醒了不同阶层、不同文化、不同国家的人对朱哲琴和藏族音乐的注意。更进一步说,是朱哲琴的歌声和何训田的作曲创造出了一种新的音乐美学,他同时也证明了一种理论:音乐是无界限的,也不应该存在界限,它是历史的纪念品和未来的希望!新专辑《央金玛》秉承了《阿姐鼓》的创作精神,而在表现手法上有了更新的艺术形式。”“央金玛”是诗、是爱、是人生,是藏族人民那独有的纯朴、自然和谐的人际关系。从朱哲琴的歌声中,我们可以听出藏人顽强的生命力。发生在西藏这块神秘土地上的故事让他们化成了歌。《央金玛》唱出了这块土地数千年来的 The success of “Sister Drum” and its global impact aroused the attention of Zhu Zheqin and Tibetan music from people of different walks of life, different cultures and different countries. Furthermore, Zhu Zheqin’s song and He Xuntian’s compositions create a new kind of musical aesthetics. At the same time, he also proves a theory that music is unbounded and there should be no boundaries. It is a memorabilia and future of history Hope! The new album “Central Jinma” adhering to the “Sister Drum,” the creative spirit, and in the performance of the way there is a new art form. “Central Golden Horse” is a poem, is love, is life, is the Tibetan people’s unique simplicity, natural and harmonious interpersonal relationship.From Zhu Zheqin’s song, we can hear the Tibetan tenacious vitality occurred in Tibet The story of the block mysterious land let them turned into a song. “Central Jinma” sang this piece of land for thousands of years