我不是文人,但在作画时是迷恋于文人画水墨淋漓,诗画相融,书印相映完美统一的境界。对于此有所求,亦是画者之所乐。 长时间的不断实践,我逐渐形成以水墨为主,赋彩为辅的画风。时常有朋友告诫我,要我停止,甚至放弃,认为世界之美,色彩缤纷,总是迷恋于水墨之中,太守单调。我却有着自己的思想,自己的追求,反而更加坚信自己的选择,于水墨画义无反顾的走着。 我在作画时沉浸于水墨之中,或浓或淡,而破而积,时焦时宿,意在简约,散淡,于似与不似之间,追求一种笔墨情趣;又笔墨相互生发,创造出画面物象之远近,明晦,深浅和凹凸。淋漓尽致地描绘花之素雅,鸟之生姿;山之隐隐,水之涓涓。于其中无数思绪似有所诉,丝缕愁苦遂有所解。正如张彦远《历代名画记》所言:“夫阴阳陶蒸,万象错布。玄化亡言,神之独运。草木敷荣,不待丹绿之来。云雪飘扬,不待铅粉而白。山不待空青而翠, I am not a literati, but I am infatuated with the perfect unity of the literati painting, poetry and painting, and the book printing. There is something for this, but also the joy of the artist. Long practice, I gradually formed to ink-based, supplemented by the color painting style. Often a friend warned me, asked me to stop or even give up, that the beauty of the world, colorful, always infatuated with ink, the monarchs monotonous. However, I have my own thoughts and my own pursuit. On the contrary, I have more confidence in my own choices and walk in an irresistible manner in ink and wash paintings. I am immersed in the ink painting in the painting, or thick or light, and broken and plot, coke time and accommodation, intended to simplicity, scattered light, between like and not like, the pursuit of a pen and ink fun; , To create a picture of the object’s distance, light and dark, shades and bumps. Most vividly depicts the elegant flower, bird’s posture; mountain faint, water trickling. In which numerous thoughts seem to be prosecuted, sorrowful Sorrow then some solution. As Zhang Yan-yuan, “History of famous paintings in mind,” said: "Fu yin and yang steamed, Vientiane wrong cloth. Metaphysical preaching, God’s independence movement .Womanual Fu Rong, not waiting for the arrival of Dan Green. Mountain to be empty and green,