在这篇以上影十年改编影片作为考察对象的文章中,笔者无意于对影片逐部作分析评价,只拟对其中若干影片中所表现出来的改编上的某些规律性问题(无论作品本身成功与否),作一探讨和归纳。之一:电影改编须打破原作的结构稳态在创作史上,许多名作家的经典作品都曾面临被要求改编或被他人改编的问题。但是,作者本人却往往宁可重新创作一部作品而不事改编之劳。正如霍洛道夫在《戏剧结构》中所说:“一个真正的艺术家寻求的是处理自己题材的唯一的方法。使诞生了一次的艺术作品通过新的体裁真正再诞生一次,这是极少的事情。”这是因为,作为一个门类的经典作 In this article, which is based on the film adaptation of the movie for ten years, the author has no intention of analyzing and appraising the videos one by one. Only some of the regularity problems (no matter the works themselves) Success or not), for a discussion and summary. One: film adaptation to break the structure of the original steady state In the history of creation, many of the classic works of writers have been faced with the problem of being asked to adapt or be adapted by others. However, the author himself tends to recreate a work without changing his work. As Holodoff said in The Structure of Theatrical: “The only way a real artist seeks to deal with his own subject is to reproduce the once-born artwork again through a new genre, which is extremely rare Things. ”This is because, as a classic classics