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当“技术”不成问题的时候,“问题”就来了。这是我重读杨之光的经典之作《矿山新兵》后最大的感受。《矿山新兵》(中国画,纸本设色,131×94cm,1971年,中国美术馆藏),从技术上来看,我们今天的许多画家都可以做到。但是,我们除了“技术”还有什么——当然不用说连技术都没有的人了。《矿山新兵》是命题之作,是政治任务。更是在1971年这个“非常年代”。为什么,它会成为“经典”。杨之光当年接到这个“任务”的时候是十分不愿意的,他并不是意识形态上的抗拒,而是觉得用中国画的
When “Technique” is not a problem, “Problem” comes. This is my biggest recital of Yang’s classic “mine recruits” after the biggest feelings. “Recruit of mine” (Chinese painting, color-setting of paper, 131 × 94cm, Chinese art collection of 1971), technically, many painters of our day can do it. But what else do we have besides “technology” - certainly not to mention people who do not have technology? “Mine recruits” is a proposition for the work, is a political task. Even in 1971 this “very age ”. Why, it will become “classic”. When Yang Guang received this “mission ” when he was very unwilling, he is not ideological resistance, but feel that with Chinese painting