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我们可以试想,如果毕加索没能够在当时巴黎的那些收藏并公开展览亚洲、非洲、美洲艺术的艺术博物馆中见到这些艺术品,他的天才的创造性到底能发挥到什么样的程度?如果不是太偏好于以一种考据癖的方式来描述的话,美术馆的出现应该是与世界的社会民主化进程和文化的市民化过程同步的。此时,作为向普通市民开放的美术馆的积极意义在于,它打破了特权阶层对于艺术品的垄断,从而使艺术作为现代知识系统的一个部分,并使之成为一个可以公共分享的对象。
We can imagine that if Picasso could not see these works of art in the art museums of the then Asian art of Asia, Africa, and the Americas openly exhibited at that time in Paris, what is the extent of his genius creativity? If not Prefer to be described in a testament way, the emergence of art galleries should be synchronized with the social democratization of the world and the urbanization of culture. At this time, the positive significance of the museum as a museum open to ordinary citizens is that it breaks the monopoly of the privileged class for works of art, thus making art a part of the modern knowledge system and making it an object for public sharing.