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过去三十年里,表演研究领域发展显著。有更多大学增加了表演研究系,或者改换了传统的戏剧和舞蹈课程,将表演研究方向纳入其中,想象一下整个这一领域在不远的将来可能面临的最为关键的问题,或许有所助益。我并非自认可以预测未来,但是显而易见,一些重要问题已经开始自己向我们扑来,而其复杂程度似乎意味着这些问题将会伴随我们相当长一段时间。一在美国,表演研究作为学科类别出现于1980年代。我不认为这个时机仅仅出于偶然。我认为这反映出文化和对“真实”[the real]的认识论发生了巨大转变。围绕着景观社会(居伊·德波)和后现代主义(罗兰·巴特和让·鲍德里亚)的工作开始在法国广泛展开,突显出曾经清晰区分开现实
In the past three decades, the field of performing studies has developed significantly. A growing number of universities have added performance studies or have switched to traditional theater and dance classes to include performance studies and imagine perhaps the most crucial issue that the entire field may face in the near future. beneficial. I am not alone in predicting the future, but it is clear that some important issues have begun to come to us, and its complexity seems to imply that these issues will be with us for quite some time. In the United States, performance studies emerged as a discipline in the 1980s. I do not think this is a mere chance. I think this reflects a dramatic shift in culture and epistemology of “the real.” The work surrounding landscape society (Guy de Debrecen) and postmodernism (Roland Barthes and Jean Baudrillard) began widely in France, highlighting the clear distinction between reality