本文从当代西方女性主义艺术具有代表性的人物，美国艺术家朱蒂·芝嘉哥及其作品“ Dinner Party”入手，简要介绍了 20世纪 70年代后 10年中西方女性主义艺术的情况，并通过围绕芝嘉哥及其作品所展开的争论，描述了女性主义艺术产生、发展的文化背景及其内在矛盾。 This article starts from the representative figure of the contemporary western feminist art, American artist Judy Chicago and his work “Dinner Party”, and briefly introduces the situation of Chinese and Western feminist art in the latter 10 years of the 1970s. The controversy surrounding Zhijia Ge and her works describes the cultural background and inherent contradictions in the emergence and development of feminist art.