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代表着我国古典诗歌艺术成就的唐诗,无论从其形式、内容还是思想上都是我国文学史上的高峰,是后世诗歌创作鉴赏的典范。本文从唐诗艺术形式入手,分析其在整齐划一字数下有着并不单一结构的形式美,其中有行云流水般的顺流而下;有神来之笔的突兀斜出;有有序或无序的交综;有单句、多句的翻叠;有画面空间的变换,在诗歌情感、思想等意脉的推进过程中,与诗歌情感张力的增强,意蕴容量的加大等方面相辅相成,并就唐诗的结构形式与宋词的结构形式进行了对比,虽不能涵盖唐诗艺术形式的全部美学风貌,亦可窥一斑而见全豹。
The Tang poems, which represent the artistic achievements of our country’s classical poetry, are all the peaks in the literary history of our country in terms of their form, content and ideology. This article starts with the artistic form of Tang poetry and analyzes its formal beauty which is not single structure under the circumstance of neat and unifying words, There is a single sentence, multi-sentence of the fold; the transformation of the picture space, in the poetry of emotions, thoughts and other veins of the process of advancing, with the emotional tension of poetry, the meaning of the capacity to increase and so complement each other, and on the structure of Tang Poetry Compared with the structural form of the Song Ci, although it can not cover all the aesthetic features of the Tang poetry art form, you can also see the whole picture.