伴随着美的实体化,美的哲学问题被提了出来。从海德格尔的图象一词看,将美实体化又是和近代以来世界成为认识对象相关的,即他所谓的世界图象化进程。通过对形而上学的问答形式作分析得知,图象化世界根深蒂固的认知逻辑是概念的确定性。海德格尔以有——无,显——隐关系作为其超越传统形而上学之“思”的基础,阐释了在非符合论意义上的作为显现的艺术品的美,并以此开启了对于当代审美本然状态的洞察。 With the transformation of the United States, the philosophical problem of beauty was raised. From the image of Heidegger’s image, substantiveization of the United States is related to becoming the object of understanding in the modern world, that is, what he calls the process of the world’s imagery. By analyzing metaphysical forms of question and answer, we know that the deep-rooted cognitive logic of the graphic world is the certainty of the concept. Heidegger expounded the beauty of the artwork as a manifestation in the sense of non-coincidence by using the “no” and “explicit-implicit relationship” as the basis of “thinking” beyond the traditional metaphysics An Insight into the Inherent State of Contemporary Aesthetics.