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自克罗齐提出艺术与语言的统一说以来,关于艺术与语言之关系的论述,就不再仅以片言只语的形式出现于美学论著中了。他的美学代表作,其书名就是:《作为表现的科学和一般语言学的美学》。在其第一部分《美学原理》中,他主张艺术的科学与语言的科学、美学与语言学是一回事而不是两回事,“世间并没有一门特别的语言学。人们所孳孳寻求的语言的科学,普通语言学,就它的内容可化为哲学而言,其实就是美学。任何人研究普通语言学,或哲学的语言学,也就是研究美学的问题;研究美学的问题,也就是研究普通语言学。语言的哲学就是艺术的哲学。”①对于这个问题,朱光潜先生曾评论指出:“至于艺术与语言的统一说则是他首次提出来的,对于语言学与美学都有深刻的意义;不过关于这方面,我们还有待于进一步的探讨。”②
Since Croce put forward the unification of art and language, the discourse on the relationship between art and language no longer appears in aesthetics only in the form of words and phrases. His aesthetics masterpiece, whose title is: “as a performance of science and general linguistics aesthetics.” In his first part, “Aesthetic Principles,” he argued that the science of science and the science of language and aesthetics and linguistics are one and not the same thing, “there is no particular linguistics in the world. Science, ordinary linguistics, in terms of its content can be turned into philosophy, is actually aesthetics.Any person to study ordinary linguistics, or philosophical linguistics, which is the study of aesthetics; the problem of aesthetics, which is to study the general Linguistics: Philosophy of language is the philosophy of art. ”1 For this question, Mr. Zhu Guangqian commented:" As for the unity of art and language, he first proposed it and has profound meanings in linguistics and aesthetics. However, in this regard, we still need further discussion