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书法创新,是几年来书法界争论不休的问题。有人认为“传统技法束缚着书法家们的创新作自由,应当打破,应向东西方美术作品中寻找营养”。也有人认为“我们书法不能再受旧的民族意识制约”。到今天,那种以空灵、含蓄为书法批评的标准和理论不能指导今天的创作。于是,几年来,有些人为了与传统书法决裂,为了让不识汉字的外国人也能欣赏我们的艺术,在书法的形式上,进行了探索。有人以书画同源、象形文字为依据,
Calligraphy innovation, the calligraphy circles in recent years endless debate. Some people think that “the traditional techniques that bind the calligrapher’s innovation as a freedom should be broken, and nutrition should be sought from the Eastern and Western art works.” Others think that “we can no longer be constrained by the old national consciousness of calligraphy.” To this day, the standards and theories criticized by eternity and implication of calligraphy can not guide the creation of today. Therefore, in the past few years, in order to break away from traditional calligraphy, some foreigners who do not know Chinese can also appreciate our art and explore it in the form of calligraphy. Some people calligraphy and painting the same source, hieroglyphics as the basis,