赵之谦是晚清和近代最有影响的篆刻家,精金石考据,擅诗文书画,真是无所不精。由于才高眼宽,由浙入皖,合浙派皖派为一,形成自己众多的样式。赵之谦的创新集中在“印中求印”和“印外求印”两方面。当代篆刻名家韩天衡在《不可无一,不可有二》一文中说:“(赵)治印首先不把配篆文字依附于陈旧面熟的字 Zhao Zhiqian is the most influential in the late Qing Dynasty and the seal carving, precious stone test, good at painting and calligraphy, really omnipotent. Because of its high eye wide, from Zhejiang into Anhui, Zhejiang and Anhui were sent to one, many form their own style. Zhao Qian’s innovation focused on ”India and China seek India “ and ”India and India and India “ two aspects. Contemporary carving Han Tianheng Han in the ”can not be without one, there are two“ article said: ”(Zhao) Zhidian first do not rely on the characters with the seal Zhunchang familiar words