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雪林属于那种从闺秀走向新女性的过渡性人物,思想性格始终徘徊在传统与现代之间。这种思想导致她婚姻悲剧产生。本文沿袭苏雪林的婚恋之旅,从婚恋角度重新解读苏雪林的《绿天》、《棘心》。
Snow belongs to the kind of transition from the ladylike to the new female character, ideological character has always lingered between the traditional and the modern. This idea led to her marriage tragedy. This article follows Su Xuelin’s marriage journey, reinterprets Su Xuelin’s “green days” and “echoes” from the perspective of marriage.