本文运用叙事学理论 ,并以中国古代小说叙事的特征和发展为参照系 ,对《聊斋志异》的叙事角度进行了归纳总结。认为《聊斋志异》近五百篇作品的叙事角度大体上可分为中立型叙事角度、第一人称叙事角度、戏剧式叙事角度、全知叙事角度和限知叙事角度 ,并分别以某些典型作品为例作了细致的论证分析 ,由此不难看出 ,蒲松龄在运用叙事角度方面的清醒意识和高超的艺术功力 This thesis uses the theory of narratology and summarizes the narrative perspective of “Strange Tales from a Lonely Studio” by taking the characteristics and development of the narration in ancient Chinese novels as reference frame. The narrative perspectives of nearly 500 works in Strange Tales of a Lonely Studio can be roughly classified into the neutral narrative perspective, the first-person narrative perspective, theatrical narrative perspective, the omniscient narrative perspective and the narrative narration perspective, respectively, with some typical works As an example for a detailed analysis of the argument, it is not difficult to see that Pu Songling in the use of narrative point of view of the awakened consciousness and superb artistic skill