本文认为《剑桥中国文学史》的“文学文化史”叙述将文学文化看作一个有机的整体,强调了中国文学史发展中的文化因素,突破了中国文学史的一般思维模式及叙述模式,独具特色。同时就其去经典化、女性写作、文学史分期等编纂思想之得失进行具体分析,提出文学史编纂理念中值得关注的问题。 This paper argues that the “History of Literary Culture” in “History of Chinese Literary History” describes literary culture as an organic whole, emphasizes the cultural factors in the development of Chinese literary history and breaks through the general mode of thinking and narrative mode of Chinese literary history , Unique. At the same time, I make a concrete analysis of the pros and cons of his compilation thoughts, such as going to the classics, writing in women and staging of literary history, and put forward the issues of concern in the compilation of literary history.