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从作为结构的文本这一基点出发,洛特曼执著地考察艺术文本的信息涵纳机制、文本结构的语义化、文本结构与文本外结构的互动共生,探索艺术作品的建构机制:艺术文本的内部规则同该文本所属的“文化代码”相互依存。具有“自律性”的文本结构与具有“他律性”的文本外结构,在互动共生中建构艺术作品。洛特曼这一“内外互动”的文本理论,在结构主义时代超越结构主义,在继承雅各布森诗学理论的过程中来发展雅氏诗学,与同时代人德里达的文本思想也不无契合,堪称“后索绪尔时代”别具一格的文本观。
Starting from the basic point of the text as a structure, Lotman insists on examining the mechanism of information censorship, the semanticization of the textual structure, the interaction and symbiosis of the textual structure and the extra-textual structure, and explores the construction mechanism of the artistic work: The internal rules are interdependent with the “culture code” to which the text belongs. The text structure with “self-discipline ” and the text structure with “heresy ” construct the artwork in the interactive symbiosis. Lotman’s text theory of “internal and external interaction” transcends structuralism in the era of structuralism and develops Yarlung’s poetics in the process of inheriting Jacobsen’s poetic theory. Compared with contemporary Derrida’s text The thought is not without agreement, which is called the post-Saussurean era’s unique text view.