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将山南卓舞形势风格完整地置入民间舞体系当中,应该是个毋庸置疑的教学主张。这样的主张并不意味着在教学实践中就能得到圆满的体现。对我们专业来说拿到教学上分解研究训练比较系统,让演员更好、更快地接受藏族的运动规律,更好地掌握风格和体态。目前只有演出的形式,所以在这主要讲述“琼结卓舞的起源”“琼结卓舞的特点”“对演员的训练价值”来。
Shannan Zhuo dance situation style completely into the folk dance system which should be an unquestioned teaching idea. Such a claim does not mean that it can be satisfactorily reflected in teaching practice. For our major, we can get a comparatively systematic training in research and decomposition so that the actors can better and faster accept the movement laws of Tibetans and master the style and posture better. At present, only the form of performance, so in this mainly about “the origin of Qiong Zhuo Zhuo dance” “Joan Zhuo Zhuo dance ” “to the training value of the actor ”.