“浙派人物画”的伟大之处在于它不仅是画派,还是在美术学院经过半个多世纪、由几代人探索、完善的教学流派,并为新中国的人物画创作提供了无限的发展路径。吴宪生就是身处其中的教育家和画家。当许多高等院校对于中国画是否需要素描或如何吸收西方素描的讨论呈白热化时,他非常认真沉着地在教授素描。他确认素描的落脚点是造型能力,这是写实人物画最重要的能力,而且应该达到熟能生巧、庖丁解牛、迁想妙得的境界。与前辈画家不同的是,他所刻画的人物形象在画坛的意笔人物画创作中接近深入写实的极致。 The greatness of the “Zhepai ​​Portrait Painting” is that it is not only a school of painting, but also an art school that has been explored and improved by generations for more than half a century at the Academy of Fine Arts. It has also provided infinity for the creation of new Chinese portraits The path of development. Wu Xiansheng is among the educators and painters. While many colleges and universities are heatedly discussing whether Chinese paintings need sketching or how to absorb Western sketches, he is very serious about teaching sketches. He confirmed that the final point of the sketch is the modeling ability, which is the most important ability of realistic portraits, and should reach the realm where practice can make perfect, retreat, and relive. Unlike the older painters, the portrayal of the characters he depicts approaches the depth of realism in the artistic creation of the painting circles.