本文对维吾尔族达瓦孜的状况进行了实地调查,从达瓦孜师徒之间的交往着手,对师徒关系的产生、交际的背景、师徒关系的案例、达瓦孜技能学习等方面进行了考察。认为维吾尔族达瓦孜艺术的保护与传承应从保护传承家族开始,并提出了从静态与动态保护与传承的观点。 This article has carried on the field investigation to the situation of Uyghur Davaz, starting from the interaction between Davazi and mentor, on the relation between mentoring and students, the background of communication, the case of the relationship between master and apprentice, Davaz’s skill learning and so on Conducted a study. It is considered that the protection and inheritance of Uygur Da Vazi art should begin with the protection of the family heritage and put forward the viewpoint of protection and inheritance from static and dynamic.