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马克思主义创始人及其后学建构了完整、周延的马克思主义文艺批评的逻辑系统,在文艺社会存在的本质论、文艺的经济与生产论分析、文艺性质的意识形态论、文艺的社会功利和历史效果、文艺的历史与审美的批评标准等方面较为体系性的架构标志着马克思主义在文艺研究的成熟,但也预示着马克思主义文艺批评的封闭性和越来越僵化的表现。这种机械的理论方法不但没有发展马克思主义文艺批评,反而在某种程度上导致其愈加脱离活泼的社会现实和历史
The founder of Marxism and its subsequent studies constructed a complete and extended logic system of Marxist literary and art criticism. In the essence of the existence of literary and artistic society, the economic and production theory of literature and art, the ideology of literature and art, the social utility of literature and art, The relatively systematic structure of historical effect, literary history and aesthetic critique marks the maturity of Marxism in literary studies, but also heralds the closeness and increasingly rigidification of Marxist literary criticism. This mechanical method of theory not only failed to develop Marxist literary criticism, but to some extent led to its increasingly out of lively social reality and history