人们在品评山水画作品时,常听到的一句话就是“气足”,言外之意是有气势,如果留心一下会发现,能得到如此评价的作品在表现形式上大都属于豪放雄强的一类。其实,洋洋洒洒大气磅礴是一种气势表现,华润优美,婀娜窈窕又何尝不是一种气势表现? 一般来讲,气势表现得自然流畅,似不经意而又恰如其分,既不虚张声势又不故弄玄虚,又不精雕细琢小心翼翼,这样的作品通常被认为是好的、大气的。比如清八大山人的一些作品,冷眼看去是那样的单纯凝练,圆润生动,好像纸上的一切都是在不经意中自然流出,显得那样任情所至,顺势而动的自然行为,所有的一切都显示了一种骨鲠狷介非同凡俗的气势,而这种气势准确生动且十分充分地表达,却又看不出丝毫精心 When people evaluate landscape paintings, what they often hear is “fullness.” The implication is that there is an imposing manner. If you look closely, you will find that most of the works that can be appraised belong to the category of magnanimity and magnanimity. In fact, the magnificent ocean is a magnificent performance, China Resources beautiful, graceful 窈 窕 why it is not a kind of imposing manner? In general, the natural performance of the natural smooth, casual and appropriate, neither bluff but not trick, nor carved Cut carefully, such works are usually considered good, atmospheric. For example, some works of the Qingbadashan people, such as cold-blooded look simple and concise, rounded and vivid, as if everything on the paper inadvertently natural outflows, it seems so deserved, the natural act of moving homeopathy, all Everything shows a bone 鲠 鲠 mediated different from the vulgar momentum, and this momentum is accurate and vivid and very fully expressed, but can not see the slightest meticulous