或许是因为电影,才开始迷恋上个世纪60年代,那个我永远只能在想象中遥遥触及的年代。如果在香港,那或许是王家卫。如果在巴黎,那会是杜鲁福(Fran ois Truffau)吧。王家卫的《2046》10月在巴黎公映的时候,到处得见梁朝伟拥吻章子怡的那张大海报,“东方酒店”的招牌就在他们头顶,幻化成一朵朵瑰丽的光晕,东方情调浓得化不开。今年5月狼狈赶赴戛纳影展招致恶评之后,王家卫回头又把片子重新剪接、整理了,音乐部分也重新 Perhaps because of the movie, it began to fall in love with the 60s of last century, that I can only be in the distant reach of imagination. If in Hong Kong, that may be Wong Kar Wai. If in Paris, that would be Fran ois Truffau. When Wong Kar-wai’s “2046” was released in Paris in October, there was a big poster of Tony Leung chasing Zhang Ziyi everywhere. The signboard of “Oriental Hotel” was on top of them and turned into a halo of blossoming flowers. Oriental sentiment Concentrate not open. After embarrassed to Cannes Film Festival in May this year to lead to bad reviews, Wong Kar-Wai looked back and re-editing the film, finishing, the music part is also re-