展览用大量的档案资料还原了西格劳博如何在美国社会运动风起云涌的60年代末,与约瑟夫·科苏斯、劳伦斯·韦尔、道格拉斯·胡埃贝勒、让·迪贝兹等艺术家们密切合作,通过跨越美国和欧洲的展览、论坛等活动,将观念艺术成功推至聚光灯下。当观念艺术用“想法”消解了“形式”在艺术中的主导权,作为独立策展人的西格劳博将白盒子也随即变成了蹩脚的容器,他认为不再需要狭义的空间——印刷品本身即展览空间,一 The exhibition uses extensive archival data to restore how Siglobau fared with artists such as Josef Cosuss, Lawrence Weal, Douglas Huebelle and Jean-de-Bettez in the late 1960s when American social movements surged Cooperation, through the United States and Europe through exhibitions, forums and other activities, the concept of art successfully pushed to the spotlight. When concept art used “ideas” to dispel the “art” dominance of “form”, Siglob as an independent curator turned the white box into a crappy container that he no longer needed Narrow space - the print itself that exhibition space, one