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陇南白马藏族传统图形作为白马藏族民俗文化的视觉载体,是其民族傩文化的重要表现形式,尤其是白马人的傩舞面具图形,造型吸收了汉族民间社火以及戏剧脸谱的形式特征,造型夸张、表情生动、图案精美,具有突出的艺术感染力。而陕西马勺脸谱图形将原始的巫术图腾崇拜、戏剧脸谱以及传统纹样纹饰等多种艺术形式进行融合,与陇南傩舞面具图形的造型特征有相似之处,具有极高的艺术价值。因此,在马勺的创新设计中,融合白马藏族传统图形元素,打造白马藏族新型民间工艺品设计,具有较高的实际价值。
Longnan Baima Tibetan traditional visual as the visual carrier of white horse Tibetan folk culture is an important manifestation of its nationality 傩 culture, especially the white horse 傩 dance mask graphics, the shape absorbs the Han civil society fire and the form of facial masks, modeling exaggerated , Vivid expression, beautiful patterns, with outstanding artistic appeal. The mascot facial masks of Shaanxi Province, which integrate primitive witchcraft totem worship, theatrical masks and traditional patterns, and other art forms, have similarities with the modeling features of Longnan 傩 dance masks and are of high artistic value. Therefore, in the innovative design of the ladle, it is of high practical value to integrate the traditional graphic elements of the white-horse Tibetan and to create a new type of folk handicrafts for the white-horse Tibetan.