作为中国古诗法译的第二个版本,《玉书》奠定了中国古诗在欧洲的传播基础,并一直备受争议。她是误读文本造成的再创作,还是文化需要引起的再创作,抑或是二种原因兼有?本文尝试着从解构主义翻译理论来重新研究朱迪特在《玉书》中的创造性翻译,从而客观全面地认识《玉书》在东学西渐中的重要作用。 As the second version of the translation of ancient Chinese poems, “Jade Book” laid the foundation for the spread of Chinese ancient poetry in Europe and has been controversial. Whether she re-created by misreading the text or re-created by the cultural need, or both? This article attempts to re-study Judith’s creative translation in Yushu from the deconstructionist translation theory, Thus an objective and comprehensive understanding of the “jade book” in the gradual progress of East China’s important role.