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在当前国际风云变幻,我国改革开放深入发展的形势下,如何建设具有中国特色的电影理论,无疑是进一步提高我国电影创作水平,繁荣社会主义电影艺术事业的一个重要问题,也是在日益加强的国际艺术交流活动中,进一步展现民族文化精神的急待解决的问题。为此,本刊于1991年9月邀请了从事电影理论、评论工作的老中青专家、学者和部分对电影有浓厚兴趣的文艺评论家二十余人,在北京举行了“马克思主义与中国电影理论建设”研讨会,试图就此课题进行一次较有深度、意在引玉的探讨,以期引起创作与理论界更加深入而广泛的讨论。
Under the current changing international situation and the deepening development of China’s reform and opening up, how to build a movie theory with Chinese characteristics is undoubtedly an important issue to further raise the level of film making in our country and prosper the socialist cinema art career. It is also an increasingly important issue for the international Art exchange activities, to further demonstrate the national culture of the urgent problem to be solved. To this end, this magazine in September 1991 invited film and television theory, commenting work of young and middle-aged experts and scholars and some of the film and television critics have a strong interest in more than 20 people held in Beijing, “Marxism and China Film theory ”seminar, trying to carry out a more depth on this subject, intended to lead the jade, with a view to arousing creative and theoretical circles more in-depth and extensive discussion.