最近,我们哈尔滨话剧院的杜雨露老师和彭玉老师连连在影视艺术中走红,或荣获大奖,享尽殊荣,或大受欢迎,广获盛赞。人们在欣喜之余,也进入深层思索,一致认为两位艺术家是“大器晚成”。然而,我觉得对“大器晚成”现象还应进一步研究,即“大器”之所以能够“晚成”,是因为两位艺术家早就有了很深厚的艺术积累,所谓“大器”就是厚积,“晚成”就是薄发,“大器”与“晚成”、厚积与薄发,都是辩证统一、相辅相成的。不必否认,世界上确有“大器早成”者,京剧 Recently, Du Yulu and Peng Yu, teachers of our Harbin Theater, became acclaimed one after another in film and television arts or won prizes, honors, or popularity. In addition to being delighted, people also entered deeper thoughts and agreed that the two artists are “late bloomers.” However, I think that the phenomenon of “late bloomers” should be further studied. The reason why “big devices” can be “late bloomers” is that the two artists already had a long history of accumulation of art. The so-called “big device” , “Late bloomers” are thin hair, “grand” and “late bloomer”, thick plot and thin hair are all dialectical unity and complementarity. Do not have to deny that the world did indeed “premature” who, Peking Opera