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池边鹤储光羲舞鹤傍池边,水清毛羽鲜。立如依岸雪,飞似向池泉。江海虽言旷,无如君子前。这是一首意味隽永的托物言志诗。它篇幅短小,状物形象,含蓄深远,别具韵致。“舞鹤傍池边”,首句开门见山,紧扣题目,描写仙鹤优雅婆娑的舞姿,令人赏心悦目。起笔看似平淡,细品却突兀不凡,恰似帷幕刚一拉开就展现出精彩动人的情节场面,引人注目,扣人心弦。诗人抓住仙鹤最富有魅力的动作——跳舞来着墨,颇具匠心。一个“舞”字,就能启发读者去想像仙鹤浮波弄影、振翮欢鸣的种种姿态,从而使整个画面气势飞动,意味盎然。
The poolside crane Chuguang break dance cranes, pool edge, water clear hair feathers fresh. Standing as long as shore snow, flying like a pool of springs. Although Jiang Hai remarks, it is as good as a gentleman. This is a meaningless prophecy poem. It is a short, staging image, implied, far-reaching, unique charm. The “dance of the dancers and pools” is the first sentence that opens up the door to the mountain. It is closely linked to the subject and describes the dancing grace of the crane. It is pleasing to the eye. From the beginning it may seem dull, but the fine product is unexpected, just like the curtain has just opened a show of exciting moving plot scene, eye-catching, exciting. The poet grasped the crane’s most glamorous moves—dancing and inspiring. A “dance” word can inspire readers to imagine the various postures that the cranes make waves and make people feel happy. This makes the whole picture imposing and full of vitality.