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中国传统女性文学创作在古代文学中所占比例极低,同时也极少受到文学批评的关注。而以闺秀文学为代表的女性文学创作所体现出的审美观念与美学价值,在很大程度上被传统文人的审美视野所笼罩,其独特的阴性审美特质没有得到很好地发掘和了解。在传统闺秀文学中,当女性作为创作主体和审美主体时,更为关注身为女性的个人化体验,对自然的变化和时间的流转较之男性文人表现出相当的敏感。不论是空间还是色彩的选择,都呈现出一种流动细腻的自然生命之美,而这种美学特性也在当下一些女性作家的文学创作中有所体现。
The traditional Chinese women’s literary creation has a very low proportion in ancient literature and is rarely subject to the attention of literary criticism. The aesthetic concepts and aesthetics values reflected in the female literary creation represented by the ladylike literature are largely covered by the traditional scholar’s aesthetic vision. Their unique negative aesthetic qualities have not been well explored and understood. In the traditional ladylike literature, when women, as the main body of creation and aesthetic body, pay more attention to the personal experience of being women, the change of nature and the flow of time are more sensitive than the male ones. No matter the choice of space or color, it presents the beauty of flowing natural life, which is also reflected in the literary creation of some female writers.