邹静之在《人民文学》2000年第一期“新世纪笔谈”撰文认为,文学艺术的检验第一要借助时间,急不得。想用“老提油”或“羊玉”、“狗玉”的办法上光上色,禁不起时间的。 钱钟书先生在《宋诗选注》序言中有一段话:“当时传诵而现在看不出好处的也不选,这类作品就仿佛走了电的电池,读者的心灵电线也似的跟它们接触,却不能使它们发出旧时的光焰来。”这不是一位选家的选择,是时间的选择。相反的例子也有,比如沈三白的《浮生六记》的被发现,比如荷尔德林和梵高的被再认识。改句俗话:是“黑漆古”总会发光。 Zou Jingzhi in “People’s Literature” in 2000 the first phase of “New Century Writing” author believes that the first test of literary and artistic use of time, anxious. Want to use “old mention oil” or “sheep jade”, “dog jade” approach polish, ban can not afford time. Mr. Qian Zhongshu made a remark in the preface to the “Selected Poems of Song Dynasty”: “At the time, there was no election at all for the benefit of these books. Such works would seem to have taken away the battery of electricity and the reader’s telegram would have come into contact with them , But they can not be given the old flames. ”This is not the choice of a candidate, it is a matter of time. Opposite examples are also found, such as Shen Sanbai’s “Six Floating Life” was discovered, such as Holderlin and Van Gogh were re-recognized. In other words: “black lacquer ancient” will always shine.