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唯美的、复古的和抒情的中年危机电影经典也同样可以是复杂、细腻和欲言又止的。有人戏言,今年国庆长假前后的院线几乎被“中年危机电影”包了,《港囧》、《夏洛特烦恼》等新锐影片尽管争议不断,却仍挡不住各地蜂拥而至、边吐槽边看的电影消费者(这是一位资深影评家朋友坚决主张使用的界定词,以便与通常并不赶时髦追新片、大片的“影迷”区分开来)将票房炒到火热。这些“中年危机电影”有喜的、悲的、半喜半悲或且喜且悲的,但万变不离其宗,最终都是以“原配的胜利”
Aesthetic, retro and lyrical middle-aged crisis movie classic can also be complex, delicate and unspoken. Some people joked that before and after the National Day holiday this year, the cinemas were almost enveloped by “middle-aged crisis films”, “Hong Kong 囧,” “Charlotte troubles” and other cutting-edge films despite the controversy, but still can not stop the flock to , The movie consumer who touches the edge of the screen (this is a definitive phrase used by a senior film critic friend to differentiate himself from the “fan” who usually does not catch up with the trendy, blockbuster movies) . These “middle-aged crisis movies” are happy, sad, half-hearted, half-sad or happy and sad, but they are always changing from "