我十六岁时参加『江苏省书法印章展』,稚拙的印作悬于罗叔子先生印屏旁,因反复观摩,深为其动。时无作品集发表,当场用黑钢笔临摹于笔记本上,至今犹在。此后于江苏省美术馆听过先生一次讲座,这也算得上作过先生的学生了。当时年纪小,先生说的什么,已记不清了,只记得那页讲座提纲的纸是再生纸,黑乎乎的,这是上世纪六十年代初的事。『文革』爆发,罗先生便成了牛鬼蛇神。『文革』中,我从不同渠道得获朋 When I was 16, I participated in the “Jiangsu Province Calligraphy and Seal Exhibition”. The childish prints were hung beside Mr. Roh Moo-sam and they were deeply moved by repeated observation. When no works published, with the black pen copy on the notebook, still in existence. Since then, Mr. Jiang listened to a lecture at the Jiangsu Provincial Art Museum, which is considered as a student of Mr. At that time young, what the gentleman said, can not remember clearly, only remembered the page outline of the paper is recycled paper, black, this is the beginning of the sixties of last century things. When the “Cultural Revolution” broke out, Mr. Luo became the monster. During the Cultural Revolution, I got friends from different sources