杜拉斯的小说变化多端,其中既有现实主义的一面,也有后现代主义的一面,在此基础上,从杜拉斯作品的后现代因素入手,会发现她创作的一个流变和其中的后现代美学效应,这是深入解读杜拉斯的突破口之一。通过小叙事、后殖民和后现代理论角度来解析杜拉斯的作品,无论是文本,还是影片,都释放出独特的后现代美学:“碎形美学”和欲望诗意。这二者同时并存于杜拉斯的创作之中,相互关系,为我们呈现出一个五彩缤纷的后现代美学世界。 Duras’s novels are varied, including realism as well as post-modernism. On the basis of this, starting from the post-modern factors of Duras’s works, one of the novel’s changes and their Postmodern aesthetics effect, which is one of the breakthroughs in the thorough interpretation of Duras. Analyzing the works of Duras from the perspective of small narrative, postcolonial and postmodern theories, both the text and the film release unique postmodern aesthetics: “fragmentation aesthetics” and poetic desires. Both of them coexist in the creation of Duras, and they are interrelated and present us a colorful postmodern aesthetics world.