额河画面石中多幽篁竹影者,但如此一竿若塔,两枝横斜似影者鲜见。且竖笔之有力,高风亮节尽显;横笔之飘逸,若蜻蜓点水,似有若无之间游丝一现。最简约的构图,最大胆的留白,却是最有余意的含蓄,这就是中国笔墨画意的神韵所在。倘板桥知道这是千百万年前天公信笔而为,定当掷笔于地,不再画竹。 Amount of stone in the river more secluded bamboo shadow, but so pole if the tower, the two horizontal oblique like shadow rare. And the force of the pen, high wind and light section to show; horizontal pen elegant, if superficial, seems to be between the gossamer now. The most simple composition, the most daring blank, but it is the most subtle meaning of subtle, this is where the charm of Chinese painting. If Itabashi know that this is millions of years ago, public letter pen, will be throwing a pen, no longer painted bamboo.