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有人说,798本身就是一个故事。有人说,作为一个话题,再也没有比798更典型的了。一座50年前东德援建的老工厂,在几十年后变成了一个举世瞩目的当代艺术园区。巨大的、钢制的、笨拙的建筑里,隐藏着或前卫、或放肆、或现代、或玩世不恭的艺术人,也包容了无限自由的生存方式。吴敏的旁观书社像个安静的女子,在一众野性里独自坐在东街的拐角,抿着嘴微笑,清清爽爽。
Some people say that 798 itself is a story. Someone said that as a topic, nothing more typical than the 798. An old factory aided by East Germany 50 years ago turned into a world-renowned contemporary art park in a few decades. Huge, steel, clumsy buildings, hiding or avant-garde, or presumptuous, or modern, or cynical art, but also embodies the infinite freedom of life. Wu Min’s spectator club looks like a quiet woman, sitting alone in the corner of East Street, with a smile on his face, smiling and refreshing.