近日在郑州,逛古玩城,走到其对面新开的一家画店,看到不小的门面里书画挂满了墙,满眼皆是当代“大师之作”:李可染、徐悲鸿、黄宾虹、陆俨少等大师皆有。一圈看下来,感觉有七、八成不真。当驻足在一幅“陆俨少”的山水立轴前时,给我的第一感觉是:不真。该画长提款书弱且漂,无陆氏书法之沉着痛快;画上松、石用笔皆软,圭角外露,无陆氏之笔墨特征;用笔、用墨之法也不似陆氏之笔精墨妙。著名鉴定家萧平先生曾对我说:“陆俨少先生的画,一小块地方单独看都 Recently in Zhengzhou, wandering antique city, walked across from the newly opened a painting shop, see a small facade covered with paintings and calligraphy wall, all eyes are contemporary “masterpiece”: Li Ke, Xu Beihong, Huang Binhong, Lu Yan Less master and so on. Look down in a circle, I feel seven, eighty not true. When stopped in front of a landscape of “Lu Yanshao”, my first feeling was: not true. The painting draws a short and weak book floating, without Lu’s calligraphic calm; painted pine, stone with pen are soft, Kyu Kok exposed, no Lu’s ink features; with a pen, ink law is not like Lu’s Fine writing skills. Mr. Xiao Ping, a famous appraiser, once said to me: "Mr. Lu Yanshao’s paintings are viewed in small places