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《小说月报》在新文化运动发展的背景下,其杂志的销量持续下降,同时读者主体由旧式文人转变为新式学生与城市大众,原有的杂志内容已经很难满足读者的需求。在这样的契机下,自1921年第12卷第1号开始,《小说月报》在主编沈雁冰的带领下大胆进行改革,放弃以文言章回小说、旧体诗词、改良新剧等栏目为主要内容的办报理念,全面革新内容,成为文学研究会机关刊物,同时也成为倡导“为人生”的现实主义文学的重要阵地。新改版的《小说月报》以积极宣传治世救国之道的办报理念,通过开设专注、专栏、文学家研究、海外文坛消息、评论、创作批评等栏目,刊登大量翻译和白话文文学作品,吸引读者,提升销量,成为新思潮传播的重要阵地,推动了新文化运动的发展。同时,《小说月报》也借助改革,建立起编辑与读者的良性互动关系,使读者从传统的被动参与、被动启蒙转变为积极参与杂志构建的新生力量。
In the context of the development of the New Culture Movement, monthly sales of its magazine continued to decline. At the same time, the main body of readers changed from the old-style literati to the new-style students and the urban populace. The contents of the original magazines have hardly met the readers’ needs. Under such circumstances, since January 12, 1921, No. 1, “Novel Monthly” under the leadership of editor Shen Yanbing boldly reform, give up the classic chapter novels, old poems, improve the drama and other columns as the main The content of the concept of newspaper, a comprehensive reform of the content, literature research institutions to become the publication of the government, but also to promote “life ” an important position of the realist literature. The newly revised “Monthly of the Novel” actively promotes the idea of running the newspaper to save the country by saving the nation and publishes a large number of translations and vernacular literature works through the creation of columns focusing on columns, literary studies, news from overseas literary circles, critics and critics of writing, attracting Readers, to enhance sales, an important position for the spread of new ideas, and promote the development of new cultural movement. In the meantime, the “Monthly of Fiction” relies on reforms to establish a benign interaction between editors and readers so that readers can transform from the traditional passive participation and passive enlightenment to the new forces that actively participate in the construction of magazines.