歌唱咬字训练中,必须树立“规范”与“风格”两个观念,并处理好有关咬字中这两个因素之间的关系。法国文艺理论家布封说:“一个没有风格的作家,就象一支没有射中目标的箭”。讲的是风格的确立对文学创作成就的决定意义,这同样适用于声乐演唱。对声乐演唱来说,风格是歌唱者在歌曲艺术再创造过程中显现出来的独特的艺术个性。包蕴着歌唱者独特的审美追求。没有风格,只能是歌匠,确立了优美的风格,才能称为歌艺。当然,一个从事声乐工作的人演唱风格的形成,会受多方面因素的影响,如不同于他人的音色,选唱曲目 In singing and bite training, two concepts of “standard” and “style” must be established and the relationship between these two factors in the bite-type writing must be properly handled. The French literary theorist Bufeng said: “A writer without style is like an arrow that does not hit the target.” Talking about the decisive significance of the establishment of style on the achievement of literary creation, the same applies to singing vocals. For vocal singing, the style is the unique artistic personality that the singer shows during the re-creation of the song art. Bao Yun singer’s unique aesthetic pursuit. No style, only the singer, established a beautiful style, can be called song art. Of course, the formation of a singing style of a vocal music practitioner will be affected by many factors, such as different from others’ timbre