以老子为代表的道家学说作为中国文化重要组成部分 ,对本土传统戏剧有着深刻影响。本文以性别批评理论 ,从母道崇尚和女性表现、圆美意识和环性思维、柔刚学说和性别之间三个方面就老子学说与本土戏剧的内在关系进行了探讨。 Taoism represented by Lao Tze, as an important part of Chinese culture, has profound influence on the local traditional drama. This article discusses the internal relations between Lao Tzu’s theory and local drama from the three aspects of the theory of gender criticism, the advocacy of maternity, the performance of femininity, the awareness of round beauty and the thinking of the circle, the doctrine of rigidity and the gender.