墨戏是一种状态，一种关于心灵与笔墨的自由状态。同时，墨戏也是一个简逸诱人的“方便之门”，凭籍此门，堪能在瞬时之刻，直接进入心灵世界的即兴抒写。故于最初，米芾的墨戏，就是“才素挥霍，借翰墨为戏具，故于酒边谈次，率意为之而无不妙”(明·李日华《恬致堂集》)，直 Ink play is a state, a state of freedom about the mind and pen and ink. At the same time, ink play is also a simple and attractive “convenient door”, by virtue of this door, worth in the moment, can directly enter the spiritual world of improvisation. Therefore, at the beginning, Mi Mi’s ink play was “just splurges on the talent, borrows the calligraphy for the drama, so talks about the wine and gives the slightest impression of everything” (Ming Li Rihua’s “Tian Zhi Tang Collection”),