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在1985年上海举办的首届中国盆景评比展览上,张瑞堂先生的垂枝柽柳作品《丰收在望》以人物配件点化景外之境,借一人一树状写田野丰盛,构思隽永,被誉为中州盆景经典代表之作,至今仍为人称道。盆艺之道,多途通达,即可以追求磅礴气势,也可以表现孤高不群,而朴素率真的田野民风贴近生活和自然,以拙藏真,也是盆景艺术追求和表现的其中一途。本期封面选用了真趣园黎德坚先生的真趣松作品《逍遥自在乐天涯》。真趣松是以海岛罗汉松为本培育出的新品种,因园而得名,叶性良好,表现极佳,近年来多有媒体报道。本件作品取岭南大树型造型,树相朴实,得自然原生风貌。作品主干苍拙而有劲道,根基坚实,满树碧绿的叶簇灿然如花,右侧长飘枝横亘写意,别有风致。树下安置两老人物配件,形态十分生动,松下纳凉,一斟一饮,其乐融融。作品撷取的景象仿佛乡村一隅,或田边,或村头、或湖畔、或山中,不得而知,只由人物配件的巧妙布置,给观者引发出诸多联想。整件作品承自然,接地气,具有浓郁的民风,纯朴自然,自得自在。
In the first China Bonsai appraisal exhibition held in Shanghai in 1985, Mr. Zhang Ruitang’s twig Tamarisu works “Harvesting in Hope” with the characterization of accessories outside the landscape, by one person and one tree to write field rich, meaningful meaning, known as Zhongzhou Bonsai classic representative, still praised. Pond art, multi-way access, you can pursue the magnificent momentum, but also can be lone, but simple and honest field of folk customs close to life and nature, in order to clumsy really, but also bonsai art pursuit and performance of one of the way. The cover of this issue uses a real amusement park Mr. Li Dejian’s real fun song “Happy at Le Paradise.” Really interesting song is Podocarpus-based breed of new varieties, because of the garden named, leaf good, performed very well in recent years, many media reports. This work takes Lingnan tree shape, simple trees, have natural native style. The backbone of the work Clover and vigorous Road, a solid foundation, full of trees green leaves clusters of flowers, the right long branches twists and turns Freehand, do not have style. Two elderly people placed under the tree accessories, the shape is very vivid, Panasonic cool, a drink, enjoyable. The scene captured by the works is as if the corner of the village, or the edge of the fields, or the village head, or the lake, or the mountains, are unknown. The finesse of people accessories only draw a great deal of associations with viewers. The whole project bearing natural, grounded air, with a rich folkway, simple and natural, comfortable.