明初画院内外的画家,风格无甚大区别,大都以单一的南宋画院的审美陈规作为自己顶礼膜拜的典范,但其中也不乏杰出之人,各就自己的喜爱,继承着前期各大家的衣钵,秉着“以古人精英为用”的创作原则,能在“师古”的基础之上,推陈出新。身为“吴门画派”之首的沈周便是典型代表。 Early Ming Dynasty painters inside and outside the museum, the style is not very different, most of the Southern Song Dynasty aesthetics as a model of worship, but none of them outstanding people, each on their own favorite, inherited the prelude to the mantle, Bingzhe “the elite of the ancients to use ” principle of creation, in the “teacher ancient ” basis, innovation. As “ Wu painting school ” the first Shen Zhou is a typical representative.