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本文作者A·C·BradIey,是英国现代文艺理论家,牛津大学文学教授。本篇译自他的《论莎氏悲剧》(ShakespereanTragedy)一书中的一章。这部书是他在牛津、利物浦等大学讲学的讲义,自1920年以来,已广泛流传于欧美,再版二十多次。作者在这篇论文里把莎士比亚的几部主要悲剧的布局结构,加以综合论述;尤其是对于戏剧冲突的三大部分在观众情感上的作用——悬念、紧张、怜悯,作了比较分析。这些对于我们的戏剧、小说的形式研究,当不无可资借鉴之处。
The author of this article, ABC Bradley, is a British modern literary theorist and a professor of literature at Oxford University. This is a chapter from his book Shakespearean Tragedy. This book is lectures he lectures at universities such as Oxford, Liverpool, since 1920, has been widely circulated in Europe and America, reprint twenty times. In this thesis, the author discusses the layout of several major tragedies of Shakespeare in detail, especially for the emotional roles of the three major parts of the drama in the audience - suspense, tension and compassion. These for our drama, novels of the form of research, should not be without merit.